| Apley House longways duple minor, 
    Playford, 1745, music traditional | 
  
  
    | A | 
    2 men take hands, fall back a double, and come 
    forward turning single to place.  Women repeat. | 
  
  
    | B | 
    R hands across half-way and turn single (women L, men 
    R). 
    2s cast down followed by 1s, into a line of 4 facing up. | 
  
  
    | C | 
    Lines dance up a double and fall back, finishing with 
    all improper.  1s cast while 2s move up, and all cross with 
    partner to progressed places. | 
  
  
  
    | 
    Ashford Anniversary 
    three couple set, Charles Bolton, More of the Same, 19??, music 
    Phalese, 1850 | 
  
  
    | Part I: Up a double | 
  
  
    | A | 
    Cpls take inside hands and dance up a double and 
    back.  Facing partner, all fall back a double and come forward (no 
    hands). | 
  
  
    | B1 | 
    1st and 2nd M with 2nd and 3rd W set and cross R 
    shoulder (along right diagonal) while 1st W and 3rd man dance 
    half-way around the set counter-clockwise to each other's place.  All 
    turn single and end facing in across the set. | 
  
  
    | B2 | 
    All set to new partner and 2-hand turn once and a 
    half. | 
  
  
    | Part II: Siding | 
  
  
    | A | 
    Side R and L shoulders with new partner ("Pat Shaw 
    siding"). | 
  
  
    | B1 | 
    As in Part I. | 
  
  
    | B2 | 
    As in Part I. | 
  
  
    | Part III: Arming | 
  
  
    | A | 
    Arm R and L with new partner | 
  
  
    | B1 | 
    As in Part I. | 
  
  
    | B2 | 
    As in Part I. | 
  
  
    | 
    Boring Meeting Maggot 
    two couple set, Gary Roodman, A Number of Calculated Figures, 2000, 
    music "La Bouree" from Terpsichore, Michael Praetorius, 1612 | 
  
  
    | Part I | 
  
  
    | A1 | 
    Inside hands joined, lead forward a double with 
    partner; face partner, fall back a double with neighbor; turn single. | 
  
  
    | A2 | 
    Lead forward a double with neighbor; fall back a 
    double with partner; turn single. | 
  
  
    | B1 | 
    Back-to-back partner; 2-hand turn half-way; lead away 
    from the other cpl; lead back in; cross R shoulder with neighbor. | 
  
  
    | B2 | 
    Repeat B1 with neighbor, finishing by crossing R 
    shoulder with partner to original places. | 
  
  
    | Part II | 
  
  
    | A1 | 
    Side partner R shoulders and turn single. | 
  
  
    | A2 | 
    Side partner L shoulders and turn single. | 
  
  
    | B1 | 
    Men turn by the L while women dance clockwise 
    half-way around them; turn neighbor by the R half-way.  Women turn by 
    the L while menu dance clockwise half-way around them; turn partner 
    by the R half-way. | 
  
  
    | B2 | 
    Repeat B1, finishing in original places | 
  
  
    | Part III | 
  
  
    | A1 | 
    Arm R partner and turn single. | 
  
  
    | A2 | 
    Arm L partner and turn single. | 
  
  
    | B1 | 
    2 changes rights-and-lefts starting with partner; Men 
    give R hand, then L hand, then turn one round; circle four half-way. | 
  
  
    | B2 | 
    2 changes rights-and-lefts starting with neighbor; 
    Women give R hand, then L hand, then turn once round; circle four half-way. | 
  
  
    | The 
    Fair One Let Me In 
    longways duple minor, Scott Higgs, Early One Morning, 1995, music T. 
    Farmer, 1683 | 
  
  
    | A1 | 
    All back-to-back partner, turning single R while 
    falling back; into R hands across. | 
  
  
    | A2 | 
    1st corners cross R shoulder; 2nd corners cross R 
    shoulder; all back-to-back neighbor. | 
  
  
    | B1 | 
    Circle L half-way; turn single L-hand turn partner 
    once and a half to finish all improper, men facing up and women facing down. | 
  
  
    | B2 | 
    Men dance up a double and cast down while 
    women dance down a double and cast up.  All 2-hand turn partner 
    half-way; 1s cast off while 2s lead up. | 
  
  
  
    | 
    The Fandango three couple set, Thompson, 
    1774, music traditional | 
  
  
    | A1 | 
    1s R-hand turn and cast to 2nd place (2s 
    moving up) | 
  
  
    | A2 | 
    1s (now in the middle) L-hand turn and 
    cast off to 3rd place (3s moving up) | 
  
  
    | B1 | 
    Circle 6 around and back (slipping 
    steps). | 
  
  
    | B2 | 
    1s (now at the bottom) lead to the top; 
    cast off to 2nd place (3s moving down); turn single down. | 
  
  
    | A1 | 
    1s (now in the middle) 2-hand turn 1st 
    corners (right diagonal) and then 2-hand turn partner. | 
  
  
    | A2 | 
    1s (continuing) 2-hand turn 2nd corners 
    (left diagonal) and then 2-hand turn partner once and a half (finishing with 
    a skipping step). | 
  
  
    | B1 | 
    1s (from the middle) figure 8, M up thru 
    2s (at the top), W down thru 3s (at the bottom) (skipping step). | 
  
  
    | B2 | 
    All hey-for-3, 1st W with 2s, 1st M with 
    3s (skipping step).  1s lead to the bottom, 3s moving up the outside. | 
  
  
    | Note: At the end of the 
    sequence all are progressed one place.  The dance continues with new 
    1s, 2s, and 3s.  Also, once thru the dance is twice thru the music, so 
    running the dance 3 times, is 6 times thru for the musicians. | 
  
  
    | From 
    Aberdeen longways triple minor, Playford, 1698, music traditional | 
  
  
    | A | 
    1s cast off (2s moving up); 2-hand turn once and 
    three-quarters; fall back (1st W between the 2s, 1st M between the 3s). | 
  
  
    | B1 | 
    Circle three, 1st M with 3s, 1st W with 2s; 1s 
    switching hands with person on their L lead into a circle three on their on 
    sides, finishing with 1s in 2nd place and all proper.  1s meet in the 
    middle, circle L one quarter (no hands), and call back 1st W between the 3s, 
    1st M between the 2s. | 
  
  
    | B2 | 
    Repeat B1 from new positions; 1s 2-hand turn half-way 
    to finish proper. | 
  
  
  
    | Jump at 
    the Sun  longways duple minor, Scott Higgs, Early One 
    Morning, 1995, music "Jump at the Sun" by John Kirkpatrick | 
  
  
    | A1 | 
    1s set advancing to corners, W crossing in front; 1st 
    corners L-hand turn while 2nd corners R-hand turn, finishing with 1s 
    in the center facing down, 2s facing up on the outside.  1s lead down 
    thru the next cpl and cast up while 2s up the outside and lead down. | 
  
  
    | A2 | 
    All set advancing to center of the original foursome, 
    turn single R and circle L. | 
  
  
    | B1 | 
    Keeping hands with neighbor, all fall back and set; 
    two changes of a circular hey by beginning with partner. | 
  
  
    | B2 | 
    1s half figure 8 down thru the 2s; circle L halfway; 
    2s gate the 1s up and around to progressed places. | 
  
  
    | Margaret's 
    Waltz Sicilian circle, Pat Shaw, Pat Shaw Collection 2, 
    1959, music "Margaret's Waltz" and "Farewell to Devon", Pat Shaw | 
  
  
    | A1 | 
    All dance forward and back and R-hand turn opposite. | 
  
  
    | A2 | 
    All L-hand turn partner and ladies' chain half-way. | 
  
  
    | B1 | 
    Retaining the courtesy turn hold, all slow  chassé 
    with opposite diagonally forward to R, then to L, finishing with cpls 
    back-to-back. | 
  
  
    | B2 | 
    All turn R into R-hands across three quarters to 
    original places; back-to-back opposite; waltz partner half-way round 
    opposites to face a new cpl. | 
  
  
    | Wa 
    Is Me, What Mun I Do  longways duple minor, Playford, 1696, 
    music Henry Purcell, 1696 | 
  
  
    | A1 | 
    1st M set L and R to the 2 women; circle three 
    half-way; releasing partner's hand, lead the line around behind the 2nd M 
    finishing with the men below the women. | 
  
  
    | A2 | 
    Repeat A1, 2nd M dancing with the two women, 
    finishing with all progressed and improper. | 
  
  
    | B1 | 
    All fall back; come forward; circle L on position 
    with two chassé steps (no hands).  Lead partner away; lead back in; all 
    cast R one place to original positions. | 
  
  
    | B2 | 
    1st corners meet and fall back; 2nd corners meet and 
    fall back; all three changes R and L beginning with partner. |