The Ball |
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David Newitt, forced at Swarthmore College to choose between football and folk dancing, made the obvious choice
and has been dancing, teaching and playing for English, Scottish, contra, morris and rapper ever since. He now
teaches and plays concertina for regular English and Scottish dances in the Bay Area. He has taught at many events
including BACDS weeks and weekends,
Pinewoods,
Lark Camp,
Lady of the Lake, Heather & Rose weekends, and RSCDS
workshops in Bellingham, WA and Honolulu, HI. |
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Katherine Carvajal discovered Scottish and English
Country Dance in Pennsylvania's Delaware Valley while studying classical music there, and her two worlds collided when
she began playing the flute for dance classes and parties. Katherine has been playing in the Bay Area for the
last eight years, and is perhaps best known as the Blowfish of the
Humuhumunukunukuapua'a & Strathspey Society Band.
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In the last few years, Bay Area and North Bay dancers, poets, and musicians have enthusiastically welcomed
Erik Ievins' expressive voice on cello. Classically trained since he was old enough to hold a bow, Erik joined
professional symphony and pops orchestras while he was still in high school. At the beginning of the millennium, Erik
discovered fiddle music and quickly became a sought-after addition to jam sessions, English Country Dances and contra
dances in Florida and California. He also enjoys improvising for songwriters in the recording studio. When collaborating
with poets, Erik gives musical expression to the emotions of the poem, adding layers of musical subtext with alchemical
word magic. Erik is a versatile player, capable in any key and nimble enough to shine on the melody line. |
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Versatile dance pianist
Rebecca
King has been playing dance music in California since 1982.
She can be heard playing English and Contra Dance in the greater San
Francisco Bay area and the North Bay, mainly with the bands Flashpoint and
Luceo. Her strong classical training and her love of jazz shows in her
rhythmic and lyric piano accompaniments. By day, she teaches music in the
Sonoma Valley schools. She can also be heard on Cowboy Dancing by Ray Bierl, and on BACDS' recent music CD
Swinging On The Gate in which
she was also executive producer. |
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Michelle Levy studied classical viola with Consuelo Sherba and
David Rubenstein as well as Old Timey fiddle/banjo with Professor Jeff
Titon at Brown University. After receiving the McKasson scholarship to
Valley
of the Moon Scottish Fiddling School, she fell in love with the
spontaneity of folk music and began a career focused on accompanying
vocalists, improvising, and performing ancient music. For two years she
toured with improvisational world music ensemble
Cantiga,
which was accepted to the Special Events roster of Cirque du Soleil. She
is continuing her musical studies on medieval vielle with
Shira Kammen
while performing throughout the country with an eclectic variety of
ensembles and vocalists, including Abby Green, Maia Archote, and
Istanpitta
Early Music Ensemble. Most recently she was awarded the Jude Biggs
scholarship to study English country dancing & music at
BACDS English Week in the Mendocino
Woodlands. She especially loves to play for dancers and to teach! |
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The Workshop |
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Charlie Hancock plays piano and accordion for contra,
swing, English and
Scottish country dancing. He has played for BACDS dances, camps, and balls for
more than 15 years, with occasional
gigs further afield, including
Pinewoods
American English week and the
Portland (OR) English ball. He is also a member of Bay
Area folk ensemble
Euphonia, and has recorded with
Sylvia Herold,
Holly Tannen,
Shira Kammen,
Cathie Whitesides,
and Ray Bierl. |
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Anne Goess grew
up in Palo Alto,
California, where she studied violin with Jenny Rudin and played
with the Palo Alto Chamber Orchestra. After
a
transformative session at
Lark Camp,
Anne now enjoys
playing in seisúns and for céilí and set dancing in the San
Francisco Bay Area. As a member of the Wild Hog Céilí Band (with
Bob Laughton, Daniel Schoenfeld and
Kristine Robin) she performs at weddings, festivals,
restaurants and pubs. She has also appeared with
Melanie O’Reilly and
Aisling, savoring their innovative mix of jazz and
traditional Irish music, and with the
Three Irish Tenors
and now enjoys playing for Contra
and English
Country dances as a member of the
Raggedy Annes (with the inimitable Charlie Hancock and Andy
Eggleston).
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The Sing Along |
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Cathleen Myers is the Dance Director of
The Great
Dickens Christmas Fair, and Artistic Director of
PEERS (the Period
Events & Entertainment Re-Creation Society, which produces full-scale
historical costume balls and dance classes almost every First Saturday).
A dancer since childhood, she has researched and taught historical and
vintage dance in the Bay Area since 1988. In her copious spare time, she
also performs with the Alameda Vintage Dancers and with her own group,
the PEERS Flying CirCUS, a historical music, dance and theater
performing group, most notorious for their recurring Peerless Music Hall
and Le Theatre des Vampires. |
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The Organizers
The Fall Ball band of rogues are:
- Committee Chair (and matching end tables) Heather MacKay
- Artistic Director David Newitt
- Sound Engineer is Paula Jacobsen
- Grand poobah of potluck and other cuisine miracles: Loretta Guarino
- Publicity available thanks to James Candlin
- The diva of decorations is Anne Miller-Bagwell
- Volunteer extortion and press gang is led by Anne Miller-Bagwell
- Our regent of registration (be nice to her!) is Helena Ivatt
- The website and roving ambassador: Ric Goldman
- Dance booklets by Heather MacKay and James Candlin
And let's not forget all the members of the dance community who volunteered to help out and/or bring contributions for the
potluck. We couldn't have done this without you. Thanks! |
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