The Dances:
(All dances are considered copyright their composers, where applicable).
Note: Items
in red below are changes since the ball booklets
were published.
AUTUMN IN AMHERST
longways duple minor improper,
4/4 meter
Philippe Callens,
Antwerp Antics2002
Tune Red Star Line, Kathy Talvitie
A |
1-2 |
Partners step R & honor; turn
single L. |
|
3-4 |
Partners L-hand turn once. |
|
5-6 |
Neighbors R-hand turn once
round, into… |
|
7-8 |
Circle 4 L halfway and fall
back with neighbors. |
B |
1-2 |
Women change by R shoulder;
men change by L. |
|
3-4 |
Partners draw poussette CCW
3/4, opening out to a line of four with the 1s facing up, 2s down. |
|
5-6 |
All forward a double and back. |
|
7-8 |
All cast R individually to
partner’s progressed place; partners change places by R shoulder. |
The hauntingly beautiful tune
by Kathy Talvitie is played in a stately 4/4, giving the dance its air of
solemnity.
THE BLACK NAG
3 couple set,
6/8 meter
Playford 1651
Keller & Shimer, eds., The Playford Ball
Part I |
A1&A2 |
1-8 |
Partners up a double and back; that again. |
B1 |
1-2 |
1s take both hands, slip up 4 steps. |
|
3-4 |
2s the same. |
|
5-6 |
3s the same. |
|
7-8 |
All turn single R. |
B2 |
1-8 |
Repeat B1, slipping back in
reverse order (3s, then 2s, then 1s). |
Part II |
A3&A4 |
1-8 |
Siding over & back
(Cecil Sharp siding); all that again. |
B3 |
1-2 |
M1 & W3 change places with 4
slips, leading R shoulder and passing back to back. |
|
3-4 |
W1 & M3 the same. |
|
5-6 |
Middles (2s) the same. |
|
7-8 |
All turn single R. |
B4 |
1-8 |
Repeat to B3 back to original places. |
Part III |
A5&A6 |
1-8 |
Partners arm R & L. |
B5 |
1-8 |
Men R-shoulder hey for 3, skipping; women turn
single R on the last 4 beats of the music. |
B6 |
1-8 |
Women R-should hey for 3, skipping; men turn single R on the last 4 beats of the music. |
BURY FAIR
longways triple minor,
2/2 meter
Playford 1698
rec. Graham Christian (unpublished)
A1 |
1-4 |
1s cast into 2nd
place while 2s move up; 1s move R into lines of 3 facing up & down, the
man ending between the 3s facing up, the woman between the 2s facing
down. |
A2 |
1-4 |
Lines of 3 set forward and
fall back. |
B1&2 |
1-8 |
Circles of 3 to the L & R with
the same people. |
C1&2 |
1-8 |
Heys for 3 across the dance
with the same people (1s pass R shoulder with 1st corners to begin). |
D |
1-8 |
1s meet in the center & lead
down thru the 3s, cast back to middle place, lead up thru the 2s, and
cast back down to end in middle place. |
COLLIER’S DAUGHTER
longways duple minor,
2/2 meter
Dancing Master II, 1728
rec.
Cecil Sharp, Country Dance Book 4
A1 |
1-4 |
1s cross & dance down one
place while 2s move up. |
|
5-8 |
1s 2-hand turn once round. |
A2 |
1-4 |
1s cross & dance down below
next 2s, who do not move up. |
|
5-8 |
1s 2-hand turn once round,
ending proper. |
B1 |
1-2 |
1s lead back up one place. |
|
3-6 |
Circle L once round with
original 2s. |
|
7-8 |
All turn single R. |
B2 |
1-4 |
Four quick changes of a
circular hey (no hands). |
|
5-8 |
Partners 2-hand turn once
round. |
THE COTERY
longways triple minor, 2/4 meter
American Colonial 1797
Keller & Shimer, eds., The Richmond Assemblies
A1 |
1-4 |
M1 set twice to W2. |
|
5-8 |
M1 2-hand turn W3 once round,
then return to place. |
A2 |
1-4 |
W1 set twice to M2. |
|
5-8 |
W1 2-hand turn M3 once round,
then return to place. |
B1 |
1-8 |
1s lead down the middle, turn,
& come back skipping; cast off to middle place while 2s move up |
B2 |
1-8 |
1s and 2s four changes of R & L (with
hands). |
DARGASON
line of 8 dancers – 4 women facing 4 men
6/8 meter
Playford 1665
The Playford Ball
Part I |
A1 |
1-8 |
1s (facing each other in the
middle of the line) Cecil Sharp side over & back, set, & turn single
passing L shoulder (M turn L W turn R, passing L shoulder). |
A2 |
|
(1s are now facing 2s) Repeat
A1 with the 2s. |
A3 |
|
(1s face 3s, 2s face each
other) Repeat A1 with 3 pairs of dancers. |
A4 |
|
(1s face
4s, 2s face 3s) Repeat A1 with all 4 pairs, all
turning single 1-1/2 to reverse directions. |
A5-A8 |
|
Repeat A1-A4, all retracing
steps. By turns, 4s, 3s, and 2s become inactive. |
Part II |
A9-A16 |
|
As in Part I, couples arm
R, set & turn single, then arm L with the next. |
Part III |
A17-A19 |
|
1s begin a progressive chain
by the R hand, skipping, giving L to activate the next and so on,
until all dancers have gone through all positions of the hey. At
the ends, turn and reenter the hey with the same hand. |
THE DUSTY MILLER
3 couple longways,
3/2 meter
Jackson & Fogg, eds., The Neal Collection, 1726
sensible variant in common use
A1 |
1-4 |
1s lead down the center, face
up, cast between the 2s & 3s to the bottom of the set while 2s & 3s
lead up |
A2 |
1-4 |
1s 2-hand turn once round and
cast up into 2nd place while 3s lead down |
B1 |
1-4 |
1s turn 1st contra
corner by R, then partner L |
B2 |
1-4 |
1s turn 2nd corner
R, then partner L; end facing 1st corners |
A3 |
1-4 |
1s slow set & honor R, then
2-hand turn 1st corners; they pass the short way to face 2nd
corners |
A4 |
1-4 |
1s slow set & honor R, then
2-hand turn 2nd corners |
B3 |
1-4 |
W1 hey on the men’s side,
beginning L shoulder to M2 while M1 hey on the women’s
side, beginning L shoulder to W3. |
B4 |
1-4 |
1s meet in the middle and turn
2 hands moving down to 3rd place proper while 3s cast up |
Repeat 2 times
ELVERTON GROVE
longways duple minor,
2/2 meter
Walsh 1712
Tom Cook, ed., Come Let’s Be Merry
A1 |
1-2 |
All turn single
toward neighbor.* |
|
3-4 |
Partners balance
forward and back. |
|
5-8 |
Partners cross by R
shoulder and turn R to face in. |
A2 |
1-4 |
Partners turn single
R, balance forward and back. |
|
5-8 |
Partners cross by R
to original places. |
B |
1-4 |
Men lead between the
women and cast back to place. |
|
5-8 |
Women lead between
the men and cast back to place. |
|
9-14 |
1s figure 8 down through
2s, skipping (6 bars only) |
|
15-20 |
2s figure 8 up through
1s, skipping (6 bars only) |
|
21-22 |
1s cast down
while 2s lead
up |
*Try this variant; the delight comes in the transition from one round to the next.
HEIDENRÖSLEIN
square for 4 couples,
3/4 meter
Pat Shaw, Book 2
A |
1-4 |
Partners R-hand turn once
round. |
|
5-8 |
Corners L-hand turn once round. |
|
9-12 |
Men R-hands across 3/4. |
|
13-16 |
Women L-hands across 3/4. |
B |
1-2 |
With new partner, change
places with 2 side steps, men going R and behind, women L and in front. |
|
3-4 |
Turn to face this person;
slow set & honor R. |
|
5-8 |
Turn your back on this person; 2 changes of a Grand Chain, R to the
1st one you
meet & L to the next. |
|
9-16 |
With the third, take
ballroom hold and waltz to the man’s home place. |
Repeat 3 times
THE HOP GROUND
longways duple minor,
6/8 meter
Preston 1794
A. Simons, interp. c. 1965, Kentish Hops
A1 |
1-4 |
1s take inside hands, set twice to W2. |
|
5-8 |
Those 3 circle L once round. |
A2 |
1-4 |
1s set twice to M2. |
|
5-8 |
Those 3 circle L once round. |
B1 |
1-4 |
1s cross & go below
while 2s move
up. |
|
5-8 |
1s 2-hand turn 1-1/2. |
B2 |
1-8 |
Four changes of R & L (with
hands). |
HUDSON BARN
longways duple minor,
3/2 meter
Jacqueline Schwab & Charles Hammond 1974
A1 |
1-4 |
Circle L once round. |
A2 |
1-2 |
L-hands across halfway. |
|
3-4 |
2nd corners let go;
1st corners join R hands as well & continue turning in the
same direction 1-1/2 times; 1st corners end in original
places |
B1 |
1-4 |
Circle R once round. |
B2 |
1-2 |
R-hands across halfway. |
|
3-4 |
1st corners let go;
2nd corners join L hands as well & continue turning in the
same direction 1-1/2 times; all are progressed and improper. |
A3 |
1-4 |
Neighbors R-shoulder
back-to-back. |
A4 |
1-2 |
Women by the R, men by the L,
turn the 1s halfway, up the outside |
|
3-4 |
1s half figure 8 down through 2s. |
B3 |
1-4 |
1s dance down the center &
back. |
B4 |
1-4 |
1s cast & 2-hand turn
once round
while 2s 2-hand turn 1-1/2 moving up |
JACK’S HEALTH
longways duple minor,
6/8 meter
Playford 1686
rec. James Morrison, Legacy
Tune: Bolt the Door
A1 |
1-4 |
1s cross & dance down one
place while 2s move up. |
|
5-8 |
1s 2-hand turn once round,
opening up to face neighbors. |
A2 |
1-4 |
Neighbors back-to-back. |
|
5-8 |
Neighbors fall back a double
and set R & L. |
B |
1-4 |
All come forward a double and
cloverleaf turn single. |
|
5-12 |
Four changes of R & L (with
hands). |
|
13-16 |
Partners 2-hand turn to end
proper (1s turn 1-1/2). |
KEY TO THE CELLAR
longways triple minor,
3/2 meter
Jenny Beer 2004 (unpublished)
Tune: traditional
A1 |
1-4 |
1s cast to middle place (2s
moving up) and gate down through 3s. |
A2 |
1-4 |
Lines forward and back; 1s
gate up through 2s. |
B1 |
1-4 |
Heys for 3 across the dance,
W1 with 2s, M1 with 3s. |
B2 |
1-2 |
1s gypsy R once round. |
|
3-4 |
Partners 2-hand turn. |
LIVE OAK CIRCLE
Sicilian circle,
3/4 meter
Robin Hayden 2005 (unpublished)
Tune: Don & Kelly’s Waltz, Daniel Steinberg 1992
A1 |
1-4 |
Opposites back-to-back. |
|
5-6 |
2 changes of a circular hey
(pass opposite R to begin). |
|
7-8 |
Opposites 2-hand turn halfway
(end facing partner, facing in or out of the circle). |
A2 |
1-4 |
Partners back-to-back. |
|
5-8 |
Partners 2-hand turn 1-1/2,
into… |
B1 |
1-2 |
Circle L halfway. |
|
3-4 |
Balance the circle & let go. |
|
5-8 |
R-hands across, looking for
the next couple. |
B2 |
1-4 |
L-hands across with the next
couple (women following their partners) |
|
5-8 |
Partners take hands (men R,
women L), balance forward &
back; California twirl to face these new people. |
OLD WIFE BEHIND THE FIRE
longways duple minor,
2/2 meter
Jackson & Fogg, eds., The Neal Collection, 1726
A1 |
1-4 |
1s set & cast down
while 2s move
up. |
|
5-8 |
1s 2-hand turn once round. |
A2 |
1-4 |
2s set & cast down
while 1s move
up. |
|
5-8 |
2s 2-hand turn once round. |
B1 |
1-4 |
1s cross & dance down one
place while 2s move up. |
|
5-8 |
2s cross & dance down into the
middle of a line of 4 facing up. |
B2 |
1-4 |
Line of 4 up a double and
back, bending to face partners. |
|
5-8 |
2 changes of R & L (with
hands). |
SMITHY HILL
longways duple minor, improper,
6/8 meter
Tom Cook 1987, Hunter’s Moon
Tune by Brian Jenkins
A1 |
1-2 |
Beginning on the L foot,
circle L halfway. |
|
3-4 |
Step L, step R. |
|
5-8 |
Repeat to original places. |
|
9-10 |
Women change places passing R
shoulder. |
|
11-12 |
Men do the same. |
|
13-16 |
Repeat, ending facing out with
neighbor. |
A2 |
1-2 |
Neighbors (keeping inside hands) lead out a double. |
|
3-4 |
Retaining hands, neighbors
change places, the woman moving under the arch (“California twirl”). |
|
5-6 |
Women pull by by the R to meet
partner with a L. |
|
7-8 |
Partners take L hands,
change places turning the woman under, ending in a line of 4 across the
dance, partners facing at either end, men back to back in the middle
(“swat the flea”). |
|
9-12 |
Half hey for 4, beginning
passing partner L. |
|
13-14 |
Men draw their partners to
progressed places. |
|
15-16 |
All drop hands and step L,
step R. |
TRIP TO THE MANORS
2 couple set,
2/2 meter
Gary Roodman 1999, A Number of Calculated Figures
Part I |
A |
1-8 |
Partners forward a double &
back; that again. |
B |
1-4 |
Partners set & change places
turning single (à la Trip to Paris). |
|
5-8 |
Neighbors set & change places
turning single. |
C1 |
1-4 |
Partners lead away to side
wall, turn and lead back into... |
|
5-8 |
Pass opposite by R and turn R immediately into half heys
for 4 (up & down hall). Meet opposite at the other end (M on R, W on L) and face
out. |
C2 |
1-4 |
Opposites lead away, turn and
lead back into... |
|
5-8 |
Pass partners by R and turn R immediately into half heys for
4 (across the hall). Meet your partner & end in original places |
Part II |
A |
1-8 |
Partners side R & L |
B&C |
|
As above |
Part III |
A |
1-8 |
Partners arm R & L |
B&C |
|
As above |
WHATELY BARN
longways duple minor,
3/4 meter
Gary Roodman 2004, Prime Calculated Figures
Tune: Richard’s Reminder, Debbie Jackson 1998
A1 |
1-4 |
1st corners change
places by the R shoulder; all circle L halfway. |
|
5-8 |
2nd corners change
places by the R; all circle L halfway. |
A2 |
1-2 |
Partners pass R shoulder &
turn single L. |
|
3-4 |
Partners L-hand turn once
round. |
|
5-6 |
L-hands across halfway. |
|
7-8 |
All turn single R. |
B1 |
1-4 |
All balance back & dance
forward into partner back-to-back. |
|
5-6 |
2 changes of a circular hey
(no hands). |
|
7-8 |
Partners 2-hand turn halfway &
face up. |
B2 |
1-4 |
2s (improper above)
cast down, half figure 8 up, & loop to the ends of a line of 4 facing up
while 1s (improper below) lead up, cast down, & 2-hand turn
halfway in the middle of the line. |
|
5-6 |
Lines fall back for 3
and come forward. |
|
7-8 |
Ends gate middles up & around
to progressed places. |
Sources:
We are pleased to be able to present works from the following composers...
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