2022 BACDS Playford Ball — The Dances
For a video, click the dance title above each set of directions
Program order
The Drummer
Mr Isaac's Maggot
The Chocolate Equation
Candles in the Dark
Love Always
Leather Lake House
~ break ~
Softly Good Tummas
Turn of the Tide
Kelsterne Gardens
Mr Hamilton's Inauguration
Maiden Lane
A New Leaf
~ break ~
Key to the Cellar
Easter Morn
We Meet Again
Michedonia
Sherry at the Ball
Jack's Health
Key
Usage |
Explanation |
L / R |
left / right |
LH / RH |
left hand / right hand |
turn L / R |
turn by the left / right hand |
1s / 2s |
first couple / second couple |
1st / 2nd corners |
refers to the people who start in those positions (unless otherwise specified) |
1st / 2nd diagonal |
refers to the physical location (where 1st / 2nd corners start) regardless of who is currently there |
CW / CCW |
clockwise / counterclockwise |
rights & lefts
circular hey |
danced with hands
danced without hands |
2s gate 1s |
1s move forward, 2s move backward |
Dance: Loretta Holz 2007 (Dancing Across the Atlantic)
Tune: Jonathan Jensen, 2004
Characteristics: 3/4, Bm, AAB
Formation: Longways duple minor for as many as will
A |
|
½ figure 8s with RH joined, as follows: |
A1 |
1-4
5-8 |
1s down
1st corner people across the set |
A2 |
1-4
5-8 |
2nd corner people across the set
2s down (end in progressed place on opposite sides) |
B |
1-4
5-8
9-12
13-16 |
Neighbors mirror back to back (2s down the middle to begin)
Circle L once round
Neighbors mirror back to back (1s up the middle to begin)
Partners dance R shoulder round 1½ |
Dance: Brooke Friendly & Chris Sackett, 2009 (Impropriety III)
Tune: “72%”, Shira Kamen, 2009
Characteristics: 4/4, G, AABB
Formation: 4-couple longways set
A1 |
1-4 |
Partners side (swirly / Sharp, L then R shoulders) |
|
5-8 |
Partners reverse side (R then L shoulders) |
A2 |
1-8 |
Foursomes (1s+2s, 3s+4s) circle R & back (end facing neighbor) |
B1 |
1-8 |
R shoulder heys for four on the sides |
B2 |
|
1s star chain: |
1s+2s RH star ½
1s+3s LH star ½
1s+4s RH star ½
All turn partner LH ½ |
|
Dance: Thompson's Compleat Collection of 200 Fashionable Country Dances 1757; reconstructed Charles Bolton 1997
Characteristics: 2/4, Gm, AABB
Formation: Longways duple minor for as many as will
A1 |
1-4
5-8 |
Circle L
LH star |
A2 |
1-4
5-8 |
Circle R
RH star |
B1 |
1-4 |
1s cross & go below, while
2s face each other and mirror set (up then down) & lead up |
|
5-8 |
1s ½ figure 8 up, while
2s cast & lead up |
B2 |
1-8 |
4 changes of rights & lefts (starting with partner) |
Dance: Erna-Lynne Bogue, 1994
Tune: “Miss Gordon of Gight”, Isaac Cooper c. 1790
Characteristics: 4/4, Cm, AAB
Formation: Longways duple minor for as many as will
A1 |
1-2 |
1s cast down, 2s moving up |
|
3-4 |
1s ½ figure 8 up through original 2s |
A2 |
1-2 |
RH star with new couple on the other side |
|
3-4 |
LH star with original couple |
B |
1-2 |
Circle R once round |
|
3-4 |
2s gate 1s up & around (end 1s facing down) |
|
5-6 |
1s lead through the couple below & cast back to progressed place |
|
7-8 |
All turn 2 hands (2s once, 1s 1½) |
Dance: The English Dancing Master, 1718 (Jim Morrison based on Pat Shaw)
Tune: “Bolt the Door”
Characteristics: 6/8, Am, AAB
Formation: Longways duple minor for as many as will
A1 |
1-4 |
1s cross R & go below (2s move up) |
|
5-8 |
1s turn 2 hands once |
A2 |
1-4 |
Back to back with neighbor |
|
5-8 |
Taking hands with neighbor, all fall back a double & set |
B |
1-4 |
Forward a double, turn single cloverleaf away from neighbor |
|
5-12 |
4 changes of rights & lefts (starting with partner) |
|
13-16 |
Turn partner 2 hands (2s once, 1s 1½) |
Dance: John Young, 1727 (The Dancing Master etc.); reconstructed Tom Cook 1975
Characteristics: 4/4, Dm, AABB
Formation: 3 couple longways set
A1 |
1-8 |
Mirror heys on own sides (1s dance between 2s to begin) |
A2 |
1-8 |
1s & 2s double figure 8 (1s cross down, 2s up the outside to begin) |
B1 |
1-4 |
1s & 2s circle L once round |
|
5-6 |
1s cast down (2s moving up) |
B2 |
1-4 |
1s & 3s circle L once round |
|
5-6 |
1s cast down (3s moving up) |
Dance: Jenny Beer, 2004 (Key to the cellar)
Tune: “Keys to the cellar” a.k.a. “Cam ye o’er frae France” or “The Marchioness of Tweeddale’s Delight”
Characteristics: 3/2, Em / D modal, AAB
Formation: Longways triple minor for as many as will
A1 |
1-2 |
1s cast down (2s moving up) |
|
3-4 |
3s gate 1s down & around to middle place |
A2 |
1-2 |
Lines forward & back |
|
3-4 |
2s gate 1s up & around to middle place |
B1 |
1-4 |
L shoulder heys for 3 across the dance, 1s with couple on their own R |
B2 |
1-2 |
1s R shoulder round once |
|
3-4 |
All turn 2 hands once |
Dance: George Bishop et al., 1778 (Six Minuets & 12 Country Dances); reconstructed Fried de Metz Herman, 1986
Tunes: “Leather Lake House”; “Pease Strae” c. 1757
Characteristics: 2/4, A, AABB
Formation: Longways triple minor for as many as will
A1 |
1-4 |
1s & 2s set to partner; 2 changes of a circular hey (start with partner) |
|
5-8 |
Repeat to places |
A2 |
1-4 |
1s cross & go below (2s move up), turn 2 hands ½ & face down |
|
5-8 |
1s lead through 3s & cast back to 2nd place |
B1 |
1-4 |
1s with the couple on their own R, circle 3 to the L (CW) once round |
|
5-8 |
All turn partner R once |
B2 |
1-4 |
1s with the couple on their own L, circle 3 to the R (CCW) once round |
|
5-8 |
All turn partner L once |
Dance: Chris Sackett & Brooke Friendly, 2013 (Impropriety V)
Tune: “Love and All That Hijaz”, Dave Bartley, 2011
Characteristics: 6/8, Dm, AAB
Formation: Longways duple minor for as many as will
A1 |
1-4 |
RH star once |
|
5-8 |
Partners cross (passing R shoulder) & turn single L |
A2 |
1-4 |
LH star once |
|
5-8 |
Partners cross (passing L shoulder) & turn single R |
B |
1-4 |
Facing partner, double Mad Robin CW (1st corners through the middle to start) |
|
5-8 |
Facing partner, double Mad Robin CCW (end facing neighbor) |
|
9-12 |
Neighbors set advancing to a wavy line (LH joined with neighbor, RH in middle) & set in line |
|
13-16 |
Neighbors turn L 1¼ |
Dance: The Dancing Master, 1675; via Colin Hume
Characteristics: 2/2, A, AABBCC x 3
Formation: 3 couple longways set
I |
A1&2 |
1-8 |
All lead up a double & back; repeat |
|
B1&2 |
1-8 |
Heys for 3 on own sides (1s & 2s pass R shoulder to begin) |
|
C1&2 |
1-8 |
Partners set & turn single; repeat |
II |
A1&2 |
1-8 |
Partners side R & L (Shaw / shoulder-to-shoulder) |
|
B1&2 |
1-8 |
Lines balance back & cross over; repeat |
|
C1&2 |
1-8 |
Partners set & turn single; repeat |
III |
A1&2 |
1-8 |
Partners arm R & L |
|
B1 |
1-2 |
1st diagonals at the top change places |
|
|
3-4 |
2nd diagonals at the top and 3s at the bottom change places
(now in order 2,1,3 on opposite sides) |
|
B2 |
1-2 |
2nd diagonals at the bottom change places |
|
|
3-4 |
1st diagonals at the bottom and 2s at the top change places
(now in order 2,3,1) |
|
C1&2 |
1-8 |
Partners set & turn single; repeat |
Figure for III B:
Dance: Dan Blim, 2014
Tune: “Carpathian Tune" (trad.)
Characteristics: 2/4, Gm, AABB
Formation: Longways duple minor for as many as will
A1 |
1-4 |
1s cast down (2s moving up) & set |
|
5-8 |
1s dance ½ figure 8 up |
A2 |
1-8 |
2s do the same |
B1 |
1-2 |
Dancers on the 2nd diagonal cross R |
|
3-4 |
Partners turn 2 hands ½ on the side |
|
5-6 |
Dancers on the 2nd diagonal cross R |
|
7-8 |
Neighbors turn 2 hands ½ on the side (all are progressed) |
B2 |
1-4 |
Circle L once |
|
5-8 |
Partners turn 2 hands once |
Dance: Joseph Pimentel, 2006 (Goldcrest Collection)
Tune: Debbie Jackson
Characteristics: 9/8, G, AB
Formation: Longways duple minor for as many as will
A |
1-2 |
Neighbors turn L once |
|
3-4 |
2nd corners Hole-in-the-Wall cross L |
|
5-6 |
Partners turn R once on the side |
|
7-8 |
1st corners Hole-in-the-Wall cross R |
B |
1-2 |
Circle L ½ |
|
3-4 |
Partners turn 2 hands ½ (open up to face neighbor & retain hands) |
|
5-6 |
Set L, turn single R |
|
7-8 |
Single file L (CW) ½ to progressed place |
Dance: The Dancing Master, 1698; reconstructed Cecil Sharp, 1916
Characteristics: 3/2, C, AB
Formation: Longways duple minor for as many as will
A |
1-4
5-8 |
1st corners turn R once
2nd corners turn L once (In both turns, release hands early so that the dancer from couple 1 can curve wide behind their neighbor to place) |
B |
1-4 |
All fall back (6 steps), come forward (3 steps) & turn single |
|
5-8 |
3 changes of a circular hey (starting with partner) to end in a line of four facing up, 1s in the middle |
|
9-10
11-12 |
Lead up a double & back
2s gate 1s up & around to progressed place |
Dance: Brooke Friendly & Chris Sackett, 2018 (Impropriety VI)
Tune: “Mr. Millstone’s Defenestration”, Dave Wiesler, 2018
Characteristics: 3/2, Am, ABC
Formation: Longways duple minor for as many as will
A |
1-2 |
Partners turn 2 hands once (CW) |
|
3-4 |
Circle L (CW) |
|
5-6 |
Circle R (CCW) |
|
7-8 |
Neighbors turn 2 hands once (CCW) |
B |
1-4 |
Double Mad Robin 1½ CCW (1st corners outside to start) |
C |
1-2 |
Partners balance, continuing flow of Mad Robin: those now on 1st diagonal go back & forward, their partners forward & back |
|
3-4 |
Neighbors gate CW (those on 1st diagonal continue forward through middle, the others go backward) |
|
5-8 |
All set to partners moving forward & turn single R to place |
Dance: Steve Otlowski 2016
Tune: “Valse des Pastouriaux”, Jacky Molard
Characteristics: 3/4 (waltz), G, AABB
Formation: 3 couple longways set
A1 |
1-2 |
1s lead down to middle place (2s move up) |
|
3-4 |
Bottom couples (1s & 3s) circle L ½ |
|
5-8 |
3s gate 1s up & around |
A2 |
1-2 |
1s lead up center to middle place (3s move down) |
|
3-4 |
Top couples (1s & 2s) circle L ½ |
|
5-8 |
2s gate 1s down & around |
B1 |
1-6 |
Crossover mirror hey
(1s cross over through the middle of the opposite line to start) |
|
7-8 |
1s cross over to their original places by the L shoulder |
B2 |
1-4 |
Top 2 couples (1s & 2s) 2 changes of rights & lefts (starting with neighbor) |
|
5-8 |
Bottom 2 couples (1s & 3s) 2 changes of rights & left (starting with neighbor) |
Dance: John Walsh, 1718 (Compleat Country Dancing-Master); reconstructed Andrew Shaw, 2002
Characteristics: 2/2, Dm, AABB
Formation: Longways duple minor for as many as will
A1 |
1-4 |
All dance single file CW ½ round (2 doubles) |
|
5-8 |
All take 4 steps into the center & turn single L, clap on the last beat |
A2 |
1-4 |
All dance single file CCW ½ round (2 doubles) |
|
5-8 |
All take 4 steps into the center & turn single R, clap on the last beat |
B1 |
1-2
3-4 |
1s cast down, while 2s lead up
Partners set |
|
5-8 |
2 changes of rights & lefts (starting with partner), ending close to partner |
B2 |
1-2
3-4 |
Joining hands with neighbor, fall back setting
Come forward & cross passing partner R shoulder |
|
5-8 |
1s turn R once moving down, while 2s cast up to progressed place |
Dance: Ron Coxall, 1999 (Roles: Occupations and Interests Recalled by Dances)
Tune: “Moonlight Moorings” by Heather Bexon, 1998
Characteristics: 3/4, G, AB
Formation: Longways duple minor for as many as will
A |
1-2
3-4 |
Circle L ½
Partners turn 2 hands ½ |
|
5-8 |
2s lead down through 1s & cast back |
|
9-10
11-12 |
Circle L ½
Partners turn 2 hands ½ |
|
13-16 |
1s lead down through 2s & cast back |
B |
1-4 |
1s lead down for 2 & fall back down the set for 2 |
|
5-8 |
1s lead up for 2 & fall back up the set for 2 |
|
|
Turning poussette (2 hands joined with partner throughout): |
|
9-10 |
Dance straight away from the center (1st corner people backing up) |
|
11
12 |
Couples pivot CW ¼ about 1st corner person
Couples pivot CW ¼ about 2nd corner person |
|
13-14 |
Dance straight to the center line (1st corner people backing up) |
|
15-16 |
Turn ½, opening up ready to circle with new couple |
Note: Ron Coxall wrote this dance with the first couple improper.
Dance: Jenna Simpson, 2013/2015 (Under the Influence)
Tune: "Welcome Home, My Dearie” a.k.a. “Flat cap”, pre-1768
Characteristics: 3/2, D, AABB
Formation: Longways duple minor for as many as will
A1 |
1-2 |
1st corners turn R once into |
|
3-4 |
Facing partner, 1st corners dance forward 3 steps & back 3 steps, while their partners dance back & forward |
A2 |
1-2 |
2nd corners turn L once |
|
3-4 |
As in A1, but with 2nd corners dancing forward |
B1 |
1-2 |
Partners ½ draw poussette CW (2nd corners continue backward) |
|
3-4 |
Partners turn 2 hands once, finish by pulling back R shoulder to face out |
B2 |
1
2
3
4 |
All dance out (no hands)
Loop L to face back in
Dance back in to sidelines
Partners turn L ½ |
|