Staff: |
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The Playford Ball -
dancing master Tom Roby, with music by Flashpoint Plus (Rebecca King, Jon
Berger, Howard Booster, Erin Vang) |
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Tom Roby
began folk dancing as an undergraduate at Swarthmore College and has been
passionately pursuing it ever since. Tom's teaching style is clear,
lively, and fun. He gets people moving to music as quickly as possible and
communicates styling points efficiently. Beginners and advanced dancers
alike enjoy Tom's infectious enthusiasm and relaxed attitude, as well as
his sense of humor and quick wit.
Tom has called English dances with
Bare Necessities in
Dartington
Hall (Devonshire) and the Assembly Hall in Bath, England. He is
the English caller for the
2004
BACDS Spring Weekend in Monte Toyon, and calls regularly for English
dances around the Bay area. Tom also regularly teaches balkan,
international, and improvisational Hungarian dances, and has a keen
interest in other couple dances, both choreographed and led/followed,
e.g., waltz, zwiefache, Scandinavian, and lindy. |
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Versatile dance pianist Rebecca
King has been playing dance music in California since 1982.
She can be heard playing English and Contra Dance in the greater San
Francisco Bay area and the North Bay, mainly with the bands Flashpoint and
Luceo. Her strong classical training and her love of jazz shows in her
rhythmic and lyric piano accompaniments. By day, she teaches music in the
Sonoma Valley schools. She can also be heard on Cowboy Dancing by Ray
Bierl, and on BACDS' recent music CD
Swinging On The Gate in which
she was also executive producer. |
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Jon Berger
is a local Bay Area treasure of tunes, providing an artistry of fiddle
music and then some. He has played music for morris, English country,
and contra dances since 1976 and is a regular musician at Bay Area and
North Bay English country dances. A former musician for Berkeley Morris, he now
plays for Apple Tree Morris in Sebastopol, as
well as in in Flashpoint. He is well-known for his powerful music, and,
while playing for morris, his ability to maintain a connection between the
music, the dancers and the dance (not to mention his sense of humor, and grand
singing voice). Jon is also a former member of the Renaissance
trio "Cyderman's Fancy," and more recently "Tempest," a Celtic rock band that
plays for an entirely different style of dancing. Between gigs,
Jon has a solo law practice. He lives in Sebastopol, California with his wife,
famed morris dancer and clogger Kalia Kliban, and a sufficient number of
cats. |
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Steeped in the Scottish tradition and
supported by classical training in the far distance past, Howard Booster's
music is known for its cross-genre flavor and its ability to drive dancers
down the floor. He can be heard playing with Flashpoint and other musical
combinations for contra dances in the greater Bay Area. Howard also plays
and has recorded with the San Francisco Scottish Fiddlers and is on the
organizing committee for the Valley of the Moon Scottish Fiddle School.
Several years ago Howard broadened his horizons by recording a CD with
Cropduster, a local band that his daughters tell him is of the "cow-punk"
genre. |
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A native of Montana, Erin Vang
holds degrees in horn performance from St. Olaf College and Northwestern
University and has studied with Boris Rybka, Kendall Betts, and Dale
Clevenger. She freelanced in the Chicago area for seven years; highlights
include Le Cid and Die Walküre with the Lyric Opera of Chicago, tours of
Korea and Germany with the Chicago Chamber Orchestra, and performances
with the Ravinia Festival Orchestra, Symphony II, and Symphony of the
Shores.
Since moving to the San Francisco Bay Area, she has been
performing with the San Jose Symphony, Oakland East Bay Symphony, Festival
Opera, Sacramento Philharmonic, Monterey Symphony, Berkeley Symphony, Napa
Valley Symphony, Women's Philharmonic, and the Foghorn Quartet. Erin and
various beasts from the brass family have also been showing up at Bay Area
English and morris events (Bufflehead Northwest
Morris team having suffered a particularly acute infestation).
Erin cooks up dance mischief with Jon Berger and Noel Cragg
in the acclaimed new band "Midnight Smørgåsbord." |
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East Bay Workshop - caller David Newitt, music by Charlie Hancock and David Strong |
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David Newitt arrived
at Swarthmore College in the fall of 1976 and was shocked to discover that this pillar of higher education had a
two year physical education requirement. Faced with the alternatives of being smashed to pieces on the football
field and going to "folk and square dancing," the choice was clear, and he has been dancing ever since.
Starting with international folk dancing, he was soon dragged into the local Scottish Country Dance
group, the college morris and rapper sword team, and, when it started in 1978, the
Kingsessing Morris
team of Philadelphia. After a couple years in Colorado working for HP and teaching folk
dancing, he came to Berkeley in 1982 to work on a Ph.D. in physics and to do country and
display dancing. He has concentrated on country dancing in the Bay Area, teaching and
playing music for regular Scottish and English dances, and calling contras and the
occasional square dance.
When not dancing, David takes pictures of
people's insides, doing research in Magnetic Resonance Imaging at UCSF,
specializing in body parts that start with "B." David's priorities
can be guessed from the final acknowledgment in his dissertation, in which
he thanks: "all my friends in various dance and music groups without whose
continuing support I would undoubtedly have finished this dissertation
several years earlier." |
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Besides being the programmer for the BACDS
Wednesday Night English Country Dance
series, Charlie Hancock has done it all. His piano and accordion are familiar
sounds at BACDS dances and camps for over 10 years. He plays for English, contra, and Scottish country dancing, and plays
a bit of jazz for fun. His checkered past has included playing rock, classical, punk, and disco.
Charlie appeared at numerous camps and festivals, including the
New England Folk Festival playing piano and accordion, and can be found on recent CDs by
Cathie Whitesides and
Shira Kammen. His infusion of high energy, improvisation, and equal facility in accompanying English
country, contras, and ritual dancing, make him a special addition to any event. He also suffers from being an
incredible friendly and nice guy. |
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David Strong has been playing fiddle (both folk and classical) for
the last 50 years. He says that playing for English is the most elegant
appreciated fun. He plays Violin and Viola for Scottish County Dancers and
couple dancers. He also enjoys playing Brazilian Choros too.
Having
played English since...."gosh I can't remember... is that a problem?", he
notes that "the 3/2 Dances are the hook." David also plays with
Bangers
and Mash, an English Country Dance Band and has played for most of the
major English Country Dance events in the Bay Area.
David is a self-employed economic consultant ("I do governments,
non-profits, and businesses… not people," he says). David lives in
Oakland with his wife Mao. They enjoy traveling overseas and looking for
that just right Violin! |
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Peninsula Workshop -
caller Bob Fraley, music by Craig Johnson, Stan and Susan Kramer |
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With over 15 years of teaching
in the Bay Area, Bob Fraley is
best-known in BACDS as the long-time caller of the
Palo
Alto English dance, as well as co-founder of the San Jose (now
Peninsula English) dance. A favorite dancing master at both Fall Ball and Playford
Ball dances in years past, he is a member of
Deer
Creek Morris, has performed Rapper Sword dances, and at the
California
Revels.
He also has a national reputation as a leader
of Scandinavian couple-dancing, and has been featured for his hambo
workshops at the
San Francisco Free Folk Festival.
He has also taught international folk dance from countries including
Germany, the former Yugoslavia, Romania, and Israel. Bob has
performed international dances in Wisconsin, Colorado, and California, and
was the artistic director of the Zavrti Dance Ensemble of Palo Alto. |
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Craig Johnson
's musical talents span every dance genre BACDS offers, and extend
beyond to Irish and Gregorian chant. (He's also wrangled the BACDS Board as President for many years).
Instead of playing accordion for Northwest Morris and Cotswold, we'll enjoy him behind the piano. Lucky us. |
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Stan and Susan Kramer, sometimes
called the dynamic duo of English Country Dance music, are products of
that wonderful evolution - dancers turned musicians. Stan has been
playing since 1965, uplifting a 2nd and 3rd generation of dancers, for
morris, and English dance, but strangely won't admit to contras. He
plays fiddle, recorder, string bass, and mentored with Pat Shaw, Phllippe
Merrill and Marshall Baron. Susan is also firmly grounded in the
folk traditions, both from Berea College and as a child dancer, and who
Stan says "needs no introduction because her music speaks for itself." |
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Ball Rehearsal -
A cavalcade of callers, music by Ruth Anne Fraley, Shira Kammen, Jim
Oakden |
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The Playford Ball
rehearsal gives us a chance to share the wealth and spread the blame with
our cavalcade of callers. Various local and out-of-town
callers will be on hand to call a few dances each, contributing to the fun
with their own special style. |
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Ruth Anne Fraley, a long time pianist for English Country and Scandinavian, and a founding accordionist for the
Deer Creek Morris Men, will be providing music for our afternoon workshop.
She's been on staff for other events, including the Playford Ball,
Fall Weekend,
Mendocino, and
Pinewoods. Oh, and she's also the manager for the Stanford
Soccer Club girls' team the Tsunami. |
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Shira Kammen is
fiddling extraordinaire. A hit at English Week in 1999, 2000, 2003, the
Playford Ball in 2000, and Fall Weekend in 2002, she's been a highlight of
many California Revels shows. She has a degree in music from UC Berkeley and is a member of Ensembles Alcatraz, Project Ars Nova, and
Medieval Strings. She has performed and taught around the US and the
world, and is at home in many musical genres, including English and
Breton. |
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Jim Oakden
has gone through a succession of musical stages, from early music to
traditional. Jim has been a staff musician at many West Coast camps
including Fall Weekend, both by himself and as part of
The Guppies, and is
currently active as a musician for English country dances, contras, Irish
and Cape Breton sessions and dances from Brittany. Jim is a board member
of the
Traditional Dancers of Santa Cruz, led the band for the 2000
Playford Ball, and programmed the 2001 and 2002 BACDS Fall Weekends. |
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