BACDS 27th Annual Monte Toyon Spring Weekend Dance Camp March 16th-18th 2007 |
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FAQs! Fragrance Free! Contact us! Location Program Schedule | ||||
Where??? In the Redwoods of Monte Toyon Camp near Santa Cruz California |
How much??? |
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Workshops for
callers, musicians, & dancers! |
Hillbillies From Mars! |
12 hours
of Contra! |
Bargains!
Lodging and meals included! |
3 Dizzy Days in the California Redwoods with Friendly, Open People! |
Known for her flowing contras and fast-moving, exciting squares, Kathy Anderson is a strong advocate of well taught, clearly called squares and contras. She has brought her enthusiastic style to dancers across the US, Canada, and Europe, and has long been a favorite caller at dances and dance camps on the West Coast. Her smooth vocal delivery and repertoire of quirky contras and high-energy squares make for a fun, challenging dance experience. Kathy has been calling and writing dances since 1982. She was introduced to squares and contras as a player of old-time banjo and piano music, and soon progressed from dancing to calling. Dances Kathy has written include Carmen's Hat, The Deep Well, The Long Road, Southern Nights, Swing Into Matrimony, and Weave the Line. Ohio. |
BECKY HILL calls frequently at workshops and dance camps, and is an experienced caller of intergenerational dances and programs for special needs populations. Author of Twirling Dervish, a book of contra dances, she has performed with Cleveland Ballet in Ohio and California as the caller for George Balachine's Square Dance. Becky's third book The Rosen Hill Collection is out.
Colin Hume started his folk career as a singer/guitarist, and has performed his own songs on national radio and at the Royal Albert Hall. He then discovered Folk Dancing. Over the last twenty-five years he has built up a reputation as a caller of American Squares, Playford-type dances (English Country Dances in 17th century style), and his own “Dances with a Difference”, many of which contain unusual combinations of figures to baffle and/or delight the dancers. His tunes are also different enough to make most bands stop and think. He has published five volumes of “Dances with a Difference”, three with corresponding recordings, two volumes of the American-style “Squares with a Difference” and one “New Dances for Old” of Playford-style dances to existing recorded tunes. His book “Playford with a Difference” contains his own interpretations of a number of country dances published in the 17th and 18th century by John Playford and others, and is unique in giving the original wording plus discussion of the various possible meanings of the descriptions and a justification of how he comes up with his own reconstruction. His versions are now danced on both sides of the Atlantic, and he leads workshops on the subject. He believes that dancing is to be enjoyed and that dancers will enjoy it more if they are taught some dance technique, and he was one of the founders of GUSTO (Grand Union Structured Training Organisation) which was set up to run training courses for EFDSS (English Folk Dance and Song Society).
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Musicians
Off to California!
John Devine
is a traditional musician whose extraordinary talents |
The Hillbillies From Mars have been rocking the contra dance scene in the San Francisco Bay Area since 1983. They combine their love and dedication to Celtic and American traditional fiddle music with a healthy dose of their own "folk roots" of rock 'n' roll, swing, Latin and African beats, forging a new tradition of dance music.
Kevin
Carr: fiddle, bagpipes, accordion, banjo, vocals, storytelling Kevin's powerful fiddling forms the backbone of the Hillbillies' French Canadian and Irish repertoire. In addition, he adds musical texture through his virtuosity on the Irish bagpipes and diatonic accordion. Kevin is also an accomplished storyteller using Celtic and Appalachian sources. (Oregon) |
Ray Bierl: fiddle, guitar, vocals
Ray's background in Appalachian and Cape Breton fiddle styles adds another dimension to the group's repertoire. His driving fiddle backup technique shifts squares and contra dances into high gear. Ray is well known on the west coast as a folk singer, and his country and cowboy songs are often featured in the Hillbillies' performances. (California)
Paul Kotapish: mandolin, guitar, percussion
Paul's versatility on the mandolin and guitar have made him a long-time favorite in the traditional music scene. His rock solid rhythms and harmonic textures form an integral part of the Hillbillies' sound. Paul has recorded and toured internationally with several bands, including Kevin Burke's Open House. (California)
Daniel
Steinberg: keyboards, flute, percussion Daniel's polyrhythmic piano/synthesizer backup and dynamic flute playing fill out the band's sound. The Hillbillies perform many of his original dance tunes and feature his innovative arrangements of traditional material. Daniel's workshops in French Country Dance and Instant Choir have received rave reviews at dance festivals around the country. (California) |
Michael Murphy is a native San Franciscan who has been a member of the
Cooley-Keegan Branch of Comhaltas Ceoltoiri Eireann since 1985. It was
there that Michael became fanatically interested in Set Dancing.
Although already knowing about 3 Set dances in early '90's, Jim Belcher
introduced heavily this older style of Irish Dancing to Cooley-Keegan in
1993, and Michael was hooked ever since. Michael began teaching Ceili
Dancing in 1996 and Set Dancing on a regular basis in 1998; mostly at
Scruffy Murphy's Pub in Sunnyvale. One can still see Michael dancing
away at the Plough and Stars Pub in San Francisco. |
Carlo Calabi has been playing guitar and singing old time country, folk, cajun, bluegrass, cowboy, and English drinking songs and sea chanties since he was a coyote pup in 1963. He works part-time as a vineyard and winery mechanic, is still trying to finish his castle, and is a member of The Cajun Coyotes. Carlo's song-leading has been delighting Spring Weekend attendees for over ten years. |
Other Staff
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Last Updated: Feb 21, 2007