Click on the links below for details of the 2022 classes.
For all dancers
Kalia Kliban with Sandy Gillette, Christopher Jacoby
Sip and savor your way through a banquet of English country dances that celebrate the joys of fine dining.
For experienced dancers
Sharon Green with Rebecca King, Jon Berger
1718 has been called The Great Year of English Country Dance because that year saw the publication of 4
(!) collections of country dances, including Twenty Four New Country Dances for the Year 1718 by Nathaniel
Kynaston and Twenty Four New Country Dances Compos'd by a Person of Quality. Enjoy dancing these great
dances from The Great Year as reconstructed by Fried de Metz Herman and Andrew Shaw.
For all dancers
Brooke Friendly with Rebecca King, Christopher Jacoby
Duple minors with oddities, set dances in unusual formations, dances for odd numbers of people... we'll play
with dances with structures and formations that are a bit out of the ordinary.
For all dancers
Adrienne Simpson with Jim Oakden, Audrey Jaber
Influenced by Tango Nuevo and blues dancing, contemporary BalFolk Mazurka offers opportunities to bring
your dancing to a new level. We’ll learn the basic step and some variations of this partner dance, then explore
ways to increase connection, improvisation, and musicality that can heighten your dance experience in other
genres as well. No partner or experience needed.
For musicians and callers both - especially newer callers.
Sande Gillette & Jeffrey Spero
We will focus on how musicians and callers can better communicate essential information, needs, tempos, adjustments, signals, introductions, noodling, etc. First half - discussion, second half - playing and calling to practice skills. Musicians should bring a stand and the Barnes books. Callers, please choose 3-4 dances from the Barnes books (a variety of meters and moods is helpful) that you’d be prepared to call in the workshop and send your list before camp to back to top)
For experienced dancers
Brooke Friendly with Jeffrey Spero, Jon Berger
Come dance to the great tunes—old and new—that have inspired the figures, phrasing, progressions, and
nuances that are the signature of the choreography of Brooke Friendly and Chris Sackett.
If you are completely comfortable with all the basic ECD figures and familiar with some of the unusual ones,
if you learn dances quickly without needing them called after the first few times through, you'll enjoy this
challenging class focusing on the more complicated dances from the Impropriety Volumes.
For all dancers
Sharon Green with Rebecca King, Audrey Jaber
An occasional choreographer, Sharon Green focuses on creating accessible dances set to splendid tunes. With
thanks to Dave Marcus, Debbie Jackson, Maro Avakian, Martha Stokely, Patti Cobb, Rebecca King, and
especially Jonathan Jensen for their glorious music, and to dance friends on both coasts for their willingness
to try out the moves.
BalFolk is a new extremely popular European folk tradition based on dance forms from many countries in
Western Europe. We’ll play through a cross-section of the common tunes from Brittany, several regions of
central France, Gascony, Portugal, and Scandinavia. Sight-reading skill will be useful, but some can also be
learned by ear. Dots provided.
For all dancers
Adrienne Simpson with Jim Oakden, Christopher Jacoby
Based on historical, fairly simple dances, BalFolk has been surging in popularity. Traditional roots are
garnished with an environment that fosters fun, improvisation, and community. Explore set, circle, and line
dances from Central France, Brittany, and beyond to the accompaniment of fabulous tunes.
For all dancers
Kalia Kliban with Jeffrey Spero, Jon Berger
Get ready to stomp and swing, with style! This session features contra dances with an English flair.
We’ll take a few well-known English tunes and explore what we can do with them by ear in an ensemble
setting.
For experienced dancers
Kalia Kliban with Jeffrey Spero, Audrey Jaber
This session will feature a mix of dances silly, sublime, easy and challenging, and none will be walked
through. It’s important that you be completely familiar with the basics of English dancing. You’ll need to
think fast, listen carefully, and be ready for a LOT of dances.
For all callers/dancers
Brooke Friendly with Jim Oakden, Sandy Gillette
Improve your proficiency using global and positional language and strategies as we learn and dance repertoire
that is more challenging to teach without gender or role-substitution terms. We will dance and discuss
Brooke’s teaching choices.
Beautiful tunes in 3/2 are unique to ECD, and we'll play through some old and new. We'll talk about ways to
make them irresistible to dancers, and try out lovely harmonies. Bring your Barnes 3 book. A link to notation
will be provided as well.